Autonome Systeme
Autonome Systeme umgeben uns: von funktionalen Prozedere in der Netzwerktechnik über ethische Aspekte selbstfahrender Autos und Waffensysteme bis hin zur historisch geprägten Idee des “autonomen Kunstwerk” und zum politischen Diskurs über Souveränität von Staaten und Regionen reicht die Spannweite des Begriffs, der aktuell zum Modewort geworden ist.
Die Vielzahl der Theorien rund um die Idee der Autonomie erscheinen oftmals verwirrend, und eine eindeutige Definition dieses Modeworts ist schwer zu fassen. Zu aufgeladen erscheint der Begriff mit diversen philosophischen und ideologischen Kontexten, und selbst die auf Immanuel Kant zurückgehende Idee des „autonomen Kunstwerks“ taucht neuerdings im Zusammenhang mit Diskussionen über politische Kunst wieder auf.
Im Rahmen des Jahresprojekts „Autonome Systeme“ der Grazer Netzkultur- und Medienkunstplattform mur.at hat sich eine Gruppe von Künstler*innen aus verschiedenen Disziplinen daran gemacht, der Autonomie mit dem Blick des Widerspenstigen zu begegnen und die Vielfalt des Begriffs von verschiedenen Blickwinkeln aus zu hinterfragen. In einer Versuchsanordnung, die in sich ein generativer, selbststeuernder Prozess ist, werden verschiedene Facetten und Zugänge erprobt, durchgespielt, weiterentwickelt oder verworfen. Durch den Blick auf das Besondere, das Persönliche, das Unvollständige und das Ungewöhnliche werden autonome Systeme entzaubert, ihre Mechanismen und Abläufe transparent gemacht.
Autonomes Verhalten ist möglicherweise nur dann glaubhaft, solange wir etwas nicht verstehen - oder so lange wir an den Zauber des Unabhängigen glauben können, den Menschen seit Jahrhunderten vor Allem (aber nicht alleine) Maschinen und Apparaturen zuschreiben, seien sie nur physisch-mechanisch wie die Dampfmaschine oder bestehend aus Code wie die „künstlich intelligenten“ Algorithmen der Jetztzeit.
Dieser Blog dokumentiert unseren Prozess, die Suche nach Autonomie in uns selbst und in den von uns geschaffenen, oder noch zu erschaffenden, Maschinen, Mechanismen und Systemen. Und gleichzeitig, als virtuelles Artefakt im Internet, ist diese Webseite ebenso ein (scheinbar?) autonomes System, ein De-Codierungs- und Transformationswerkzeug, das unsere Ideen genauso verarbeitet wie seinen eigenen Code.
Das Projektteam trifft sich zweiwöchentlich im virtuellen Raum; die Ergebnisse des Work-in-Progress werden in unregelmäßigen Abständen in verschiedenen Formaten präsentiert. Die Treffen sind öffentlich für Interessierte (Zugang auf Anfrage via autonomie@lists.mur.at). Aktuelle Termine und Präsentationen des Projekts sind in „Events“ nachzulesen, bzw. werden via @murpunktat auf Twitter angekündigt.
Autonomous Systems
From self-guided cars to AI-controlled weaponery systems, “autonomous systems” has become an omnipresent buzzword in today’s media. While the current use of the term is focused often on political and ethical aspects of self-steering and self-learning algorithms and digital technologies, the historical idea of autonomy includes discourses about sovereignity of nations as well as Kant’s reflections on the autonomy of art. Yet the multitude of concepts and ideas related to the term “autonomous systems” makes it often hard to define what exactly is behind it.
The project “autonomous systems”, carried out by the Graz-based platform mur.at in 2020-21, aims to question this buzzword from a creative-critical approach. A team of five young artists is developing a collective working process that itself is modeled after a generative, “autonomous” system. In this process, different approaches, thoughts, tools and techniques of work related or drawn from aspects of autonomy and system theory are explored to collectively create works of art. The focus of the project is not to define or fully explain what autonomous systems are, but to highlight pecularities, contradictions and fascinations through the lens of artistic practice(s).
This blog is a documentation of our working process. We are searching for and questioning autonomy and systemic processes in and around ourselves, our digital and physical environment. We want to demystify in a playful way the agency of automata and machines, be them from the past or yet to be created by us. At the same time, this website is a diary and companion, a tool for processing and transformation our inputs as well as its own code. A system that is also part of the system(s) we create.
The project groups meets every two week for discussions and collaborative work at the moment in a dedicated virtual channel. Meetings are open for an interested audience (access upon request to autonomie@lists.mur.at). The results of the work-in-progress are presented in different formats, for more details see the “events” section on this blog or follow @murpunktat on twitter.
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Margarethe Maierhofer-Lischka
Margarethe is a musician, performer, sound artist and researcher. She studied double bass, contemporary music and musicology in Dresden, Rostock and Graz, and holds a PhD in Music Aesthetics from KUG Graz. She is founding member and board member of Ensemble Schallfeld, with which she is also touring worldwide.
For her work she got a performer’s award of the Karlheinz Stockhausen foundation, the lime_lab award for experimental radio play, an Honorary award of KUG Graz 2013, and the Theodor-Körner award 2018.
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Alyssa Aska
Alyssa is fascinated with the architecture of music, both spatially and temporally. She composes works which explore extremes in time and space, using rigid proportions to generate forms in acoustic works and exploring the unpredictable duration and lack of control in gamified works. This is closely tied to her compositional style, which is concerned with a delicate balance between elements of functional form and elements of pure aesthetic purpose. As much structure as possible, as many ornaments as necessary (and vice versa).
She studied composition in the United States with Robert Kyr, David Crumb, and Jeffrey Stolet, in Canada with Robert Pritchard, Keith Hamel, and David Eagle, and currently studies in Graz, Austria with Marko Ciciliani and Klaus Lang. Alyssa’s work and research are performed worldwide at various concerts and festivals such as Wien Modern, Ars Electronica Linz, Forum Wallis, ICMC, EMS, Impuls, Darmstadt Summer Courses, Musikprotokoll, Tonraum21, ComposIt, Mirkofest Helsinki, Microtonal Festival Prague, and many others. She was selected for participation at many academies and workshops such as WasteLAnd Academy (2019), CrossROADS Festival (2019), and Kalv Festival Academy (2020). She was also selected for performance at the Gamified Audiovisual Performance and Performance Practice (Gappp) Symposium 2019. Alyssa is a founding member of the Graz facere collective, which presents every year concerts in various formats, and is a current member of the Graz collective Die Andere Saite.
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Alisa Kobzar
Composer, multimedia artist, video editor, teacher, graduated from Kyiv National Music Academy (Ukraine) in 2014 (department of composition, instrumentation and musical informational technologies).
Since 2018 lives in Graz and studies Computer music in Graz University of Arts (with Prof. G. Eckel) and works as SMA in IEM (KUG) in the project “Inter_agency”.
The main vector of her creative work is interdisciplinarity towards connecting the different art-forms into undisassemblable multimedia, where none of the arts is illustrative. Co-founder of duo rotkäppchen.
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Daniele Pozzi
Daniele Pozzi is an italian sound artist and composer based in Graz, Austria. His work comprises electroacoustic music, live-electronics improvisations and sound installations, in which the role of algorithmic and generative processes is often central. Daniele received a MA in computer music from the Institute of Electronic Music and Acoustics of the University of Music and Performing Arts Graz, where he’s currently pursuing his doctoral degree.
His work appeared in international venues, exhibitions, conferences and festivals, among others: ICMC 2019 (New York City), BEAST FEaST (Birmingham, UK), NYC Electroacoustic Music Festival 2017, BEK (Bergen, NO), ZKM (Karlsruhe, DE), Audio Mostly (London, UK), XIX CIM (Rome, IT), KM28 (Berlin, DE), Kunsthaus Graz.
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Alex Kremser
I am an interaction designer currently working on improving educational technology. As I am the one editing this webpage I granted myself the privilege of addressing you directly.
One of my major goals is creating tools that enable and aid human expression, in order to shift each others perspective, gaining insight.
I fight for digital independence and believe that the ideals and ways of thinking of open-source culture will lead us to a better future.
If you share my ideals and also want to create empowering, free creative software, don’t hesitate to contact me.